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MLA Style Manual, formerly titled MLA Style Manual and Guide to Scholarly Publishing in its second (1998) and third edition (2008), was an academic style guide by the United States–based Modern Language Association of America (MLA) first published in 1985. MLA announced in April 2015 that the publication would be discontinued: the third ...
The association also publishes the MLA Handbook, a guide that is geared toward high school and undergraduate students and has sold more than 6,500,000 copies. The MLA produces the online database, MLA International Bibliography, the standard bibliography in language and literature. [6] Exhibit hall booths at MLA 2007 convention in Chicago
Hit and Run is a realistic fiction novel by Lurlene McDaniel, published in 2007. It focuses on four teenagers whose lives intersect following a hit-and-run car crash. The book is told from the alternating perspectives of the four teens.
Chanson réaliste (realist song), a style of music which was directly influenced by realist literary movement in France; Magical realism, a genre of fiction and art that depicts magical elements within a realist presentation; Verismo, an application of the tenets of realism to (especially late-romantic Italian) opera
Many authors will use quotations from literature as the title for their works. This may be done as a conscious allusion to the themes of the older work or simply because the phrase seems memorable. The following is a partial list of book titles taken from literature. It does not include phrases altered for parody.
The Underground Railroad is a historical fiction novel by American author Colson Whitehead, published by Doubleday in 2016. The alternate history [1] novel tells the story of Cora, a slave in the Antebellum South during the 19th century, who makes a bid for freedom from her Georgia plantation by following the Underground Railroad, which the novel depicts as a rail transport system with safe ...
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Three of the stories—"Ambrose, His Mark"; "Water-Message"; and the title story, "Lost in the Funhouse"—concern a young boy named Ambrose and members of his family. The first story is told in first person, leading up to describing how Ambrose received his name. The second is told in third person, written in a deliberately archaic style.