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The resulting works looked thoroughly authentic. He made roughly 17 of these sculptures, whose heights were each between 50 and 60 centimetres, which were meant to simulate works by the great masters of the Spanish Golden Age: Alonso Cano, Gregorio Fernández and other great realist visual artists in Spanish Baroque sculpture. [2]
He was the artist in residence for Dartmouth College (1990) and he received a fellowship from the Sistema Nacional de Creadores de Arte (1994-1996) . [8] In addition to the creation of sculpture and other art, he has worked as an academic, giving courses, workshops and conferences at various universities and other institutions in Mexico and ...
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Plateresque art, which drew inspiration from Spanish Renaissance and Mannerist aesthetics, manifested primarily in architectural sculpture and altarpiece design. Notable examples of Plateresque altarpieces, adorned with elaborate sculptural elements and intricate relief work, can be found in churches and cathedrals throughout colonial Mexico. [1]
This is a list of notable Spanish artists born after 1800. For artists born before this year, see List of Spanish artists (born 1300–1500) and List of Spanish artists (born 1500–1800) This is a dynamic list and may never be able to satisfy particular standards for completeness.
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For example, the largest of his works in the United States, De Musica is an 81-ton steel sculpture featuring two pillars with arms that reach out but do not touch. Much of Chillida's work is inspired by his Basque upbringing, and many of his sculptures' titles are in the Basque language Euskera .
Antonio López García (born 6 January 1936) is a Spanish painter and sculptor, known for his realistic style. He has been praised by leading art critics, such as Robert Hughes, who considered him "the greatest realist artist alive" in 1986. [1] His style sometimes is deemed hyperrealistic.