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Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.
The Hymns were in antiquity attributed to the mythical poet Orpheus, and modern scholarship has mostly continued to see the collection as being situated in the Orphic tradition. The Orphic Hymns open with a proem, in which Orpheus addresses his student Musaeus, calling upon various deities to attend the recitation of the hymns. The individual ...
[2] In a way, Blanchot uses the myth to transcribe the creative process—Lynne Huffer suggests that “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's song.” [3] Blanchot believes that the myth itself is a fitting example of the necessity of obliqueness and indirection in approaching being ...
The poem was lost, but in the fifteenth century it was found and copied in a manuscript (Codex Matritensis gr. 4562) by the Neoplatonic Greek scholar Constantine Lascaris, who is considered a Pythagorean Orpheus. [2] Another related work is the Lithica (describing the properties and symbolism of different stones).
Orpheus Playing the Violin, 17th-century painting by Cesare Gennari. Operas based on the Orphean myths, and especially the story of Orpheus' journey to the underworld to rescue his wife, Eurydice, were amongst the earliest examples of the art form and continue to be written into the 21st century.
The opera opens just as Orpheus is about to reach the end of the corridor. He turns around to make sure Eurydice is still there, thus condemning her to remain in the underworld forever. In a series of arias, the couple sing to each other as Eurydice retreats down the corridor back to the underworld, leaving Orpheus to return to the world alone.
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"Possente spirto, e formidabil nume" ("Mighty spirit and formidable god") is a key aria [1] from Act 3 of Claudio Monteverdi's opera L'Orfeo, where Orpheus attempts to persuade Charon to allow him to pass into Hades and find Euridice.