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Kids is a 1995 American drama film directed by Larry Clark in his directorial debut and written by Harmony Korine in his screenwriting debut. [4] It stars Leo Fitzpatrick, Justin Pierce and Chloë Sevigny in their film debuts. Fitzpatrick, Pierce, Sevigny, and other newcomers including Rosario Dawson portray a group of teenagers in New York City.
In 2015, Clark collaborated alongside notable skateboard and clothing brand, Supreme, to celebrate the 20th anniversary of Kids with a collection of decks, T-shirts, and sweatshirts that feature stills from the iconic film. The collection was released on May 21, 2015, in Supreme's New York, Los Angeles, and London locations and on May 23 in its ...
Bilibili is known for its scrolling danmu (弹幕, "bullet curtain") commenting system. [2] Bilibili also provides a live streaming service where the audience can interact with streamers. Bilibili also offers games, mostly ACG-themed mobile games, such as the Chinese version of Fate/Grand Order and the Chinese game Azur Lane. In the third ...
Larry Clark (born January 19, 1948) [1] is an American filmmaker, known one of the leading directors of the L.A. Rebellion (also known as the Los Angeles School of Black Filmmakers). He directed the feature films Passing Through (1977) and Cutting Horse (2002).
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Teenage Caveman is a 2002 science fiction-horror-teen film directed by controversial filmmaker Larry Clark. [1] It was made as part of a series of low-budget made-for-television movies loosely inspired by B movies that Samuel Z. Arkoff had produced for AIP.
He was discovered at age 14 by director Larry Clark skateboarding at Washington Square Park in New York City. Fitzpatrick was trying to perform certain skating tricks, and every time he was unsuccessful, he would scream and curse. Clark later cast him as Telly, the central character in the film Kids, then a supporting role in Bully. [2]
Tulsa, Clark's first book, was published in 1971 by Lustrum Press, owned by Ralph Gibson. It has been claimed that thanks to Gene Pitney's 1960 song "Twenty Four Hours from Tulsa", Tulsa then represented "young love and family values"; [3] Clark's book challenged this with scenes of young people having sex, shooting up drugs, and playing with guns.
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