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The bearers of the La Tène culture were the people known as Celts or Gauls to ancient ethnographers. Ancient Celtic culture had no written literature of its own, but rare examples of epigraphy in the Greek or Latin alphabets exist allowing the fragmentary reconstruction of Continental Celtic.
After the word 'Celtic' was rediscovered in classical texts, it was applied for the first time to the distinctive culture, history, traditions, and language of the modern Celtic nations – Ireland, Scotland, Wales, Cornwall, Brittany, and the Isle of Man. [37] 'Celt' is a modern English word, first attested in 1707 in the writing of Edward ...
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
As regards Celtic influence on local Daco-Getic culture, Vasile Pârvan has stated that the latter is wholly indebted to Celtic traditions and that the "La Tene-ization" of these northern Tracians was a cultural phenomenon primarily due to the Celtic population who settled the area. [2]
The evidence suggested that the Gauls of the La Téne culture were patrilineal and patrilocal, which is in agreement with archaeological and literary evidence. [45] A genetic study published in iScience in April 2022 examined 49 genomes from 27 sites in Bronze Age and Iron Age France. The study found evidence of strong genetic continuity ...
From all the different names of the same Celtic people in literature and inscriptions, it is possible to abstract a Continental Celtic segment, boio-. [5] There are two major derivations of this segment, both presupposing that it belongs to the family of Indo-European languages: from 'cow' and from 'warrior.' The Boii would thus be either 'the ...
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
In its book review section, the archaeology magazine Minerva gave a positive review to the book: "The book treads a well worn path, leading us from the late Hallstatt Fürstensitze ('princely seats' or 'seats of princes') through the development and spread of the La Tène culture across Europe and the emergence of Roman power. [...] The present ...