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[7] [8] [2] Morgan works from a Bethnal Green studio. [1] Morgan is a member of the UK Guild of Taxidermists. [4] The animals used in her taxidermy are contributed by a network of clients; the animals Morgan uses have died naturally or had unpreventable deaths. [6] She maintains a detailed log of all dead animals in stock. [9]
Taxidermy collectors are drawn to the artistry and preservation of animals, and typically buy or create lifelike displays that capture the beauty of wildlife. These collections can range from ...
Taxidermy or elements of taxidermy are also used in branches of bio art. [6]: 12 Whole preserved animals or parts of animals, such as their skins, are sometimes used in this art. Bio art and traditional taxidermy can be seen as being in conflict based on artistic philosophies of authenticity and the purpose behind representation.
John Hancock (24 February 1808 – 11 October 1890) was an English naturalist, ornithologist, taxidermist and landscape architect.Working during the golden age of taxidermy when mounted animals became a popular part of Victorian era interior design, [2] Hancock is considered the father of modern taxidermy [3] [4]
Walter Potter (2 July 1835 – 21 May 1918) [1] [2] was an English taxidermist noted for his anthropomorphic dioramas featuring mounted animals mimicking human life, which he displayed at his museum in Bramber, Sussex, England.
Morris would go on to author and publish the book Van Ingen & Van Ingen - Artists in Taxidermy in 2006 [3] which outlines the quality, complexity and history of what once was one of the world's largest taxidermy firms. The book also contains actual photocopies of the factory workbook records of the Van Ingen work flow.
The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
In 2008, Randall started working in the controversial medium of taxidermy [16] [17] She took the ethical stance to work only with already dead or culled animals and so has worked a lot with vermin. Works in this vein range from The Carriers to The Rat Swarm Lamp ‘The most nightmarish lamp ever produced’ and Squirrel Wall Lights. [18]
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