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  2. Metric modulation - Wikipedia

    en.wikipedia.org/wiki/Metric_modulation

    Metric modulation: 2 half notes = 3 half notes or Play with eighth note subdivision for tempo/metre comparison. Thus if the two half notes in 4 4 time at a tempo of quarter note = 84 are made equivalent with three half notes at a new tempo, that tempo will be:

  3. Septuple meter - Wikipedia

    en.wikipedia.org/wiki/Septuple_meter

    4 or 7 8 (or in compound meter, 21 8 time). The stress pattern can be 2 + 2 + 3, 3 + 2 + 2, or occasionally 2 + 3 + 2, although a survey of certain forms of mostly American popular music suggests that 2+2+3 is the most common among these three in these styles. [1] A time signature of 21

  4. Fraction - Wikipedia

    en.wikipedia.org/wiki/Fraction

    A unit fraction is a common fraction with a numerator of 1 (e.g., ⁠ 1 / 7 ⁠). Unit fractions can also be expressed using negative exponents, as in 21, which represents 1/2, and 22, which represents 1/(2 2) or 1/4. A dyadic fraction is a common fraction in which the denominator is a power of two, e.g. ⁠ 1 / 8 ⁠ = ⁠ 1 / 2 3 ⁠.

  5. Tempo map - Wikipedia

    en.wikipedia.org/wiki/Tempo_map

    MIDI's tempo map specifies the speed at which a file's events are transmitted within this framework: their tempo. If a file plays at a fixed tempo, its map is a horizontal line (e.g., measures 38 and 39 in this part of a MIDI sequencer ’s display of the end of J.S. Bach's prelude #8 from Book I of the Well-tempered Clavier ):

  6. Half-time (music) - Wikipedia

    en.wikipedia.org/wiki/Half-time_(music)

    4, also known as common time (); 2 2, also known as cut time or cut-common time (); etc. In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially doubling the tempo resolution or metric division/level in comparison to common-time. Thus, two measures of 4 4 approximate a single measure of 8

  7. Additive rhythm and divisive rhythm - Wikipedia

    en.wikipedia.org/wiki/Additive_rhythm_and...

    In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.

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