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Catherine M. Wilson's When Women Were Warriors series: Book 1: The Warrior's Path, 2: A Journey of the Heart, and 3: A Hero's Tale; Malinda Lo's Ash and Huntress; Women on the Edge of Space, a space-opera anthology published by Circlet Press; Gay male author Geoff Ryman's Arthur C. Clarke Award-winning The Child Garden features a lesbian ...
Nifty.org was used as a source for one million words of gay male erotic narratives, and a comparison million words of lesbian erotic narratives, by Paul Baker of Lancaster University, in a study of "the identity constructions and language use of those who are viewed as ideal sexual partners; important themes or narrative patterns within the texts which reveal the discourses of sexuality that ...
Like older studies, the data also showed that vaginal penetration with dildos, or with other sex toys, among women who have sex with women is rare. [ 12 ] [ 39 ] A 2012 online survey of 3,116 women who have sex with women, published in The BMJ , found the majority of women reporting a history of genital rubbing (99.8%), vaginal fingering (99.2% ...
A famous collection of four erotic poems, was published in England in 1763, called An Essay on Woman. This included the title piece, an obscene parody of Alexander Pope 's " An Essay on Man "; "Veni Creator: or, The Maid's Prayer", which is original; the "Universal Prayer", an obscene parody of Pope's poem of the same name, and "The Dying Lover ...
Documentarians Cecilia Peck and Inbal B. Lessner (“Seduced: Inside the NXIVM Cult”) and Heidi Ewing and Rachel Grady (“Love Fraud”) not only share similar shooting philosophies, in ...
The title story "One Holy Night" introduces the reader to a young teenage girl, Ixchel, who, in her quest for true love, meets a 37-year-old man named Chato. He lies to her about belonging to ancient Mayan royalty, seduces her, and then abandons her, only to return in an attempt to kill her. In her youth and naivety, Ixchel desires to be ...
Within the Studio the concern was that the drama of the fictionalized story would over shadow or belittle the women's stories in the documentary. According to Lynne Fernie, once putting the film together they knew that "nothing was going to overpower the personalities and storytelling of the women in the documentary." [6]
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