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Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
Christ Driving the Money Changers from the Temple is a 1571 Christian art painting by El Greco, now in the Minneapolis Institute of Art. [1] It depicts the Cleansing of the Temple, an event in the Life of Christ.
An example of the interaction of Marian art, culture and churches is Salus Populi Romani, a key Marian icon in Rome at Santa Maria Maggiore, the earliest Marian church in Rome. The practice of crowning the images of Mary started at Santa Maria Maggiore in Rome by Pope Clement VIII in the 17th century. [12]
Paolo Uccello, works include Saint George and the Dragon, [588] Nun-Saint with Two Children, [589] and Life of the Holy Fathers [590] Andrea Vaccaro, Tenebrist style painter known for paintings of saints [591] Juan de Valdés Leal, works include The Assumption of the Virgin and Virgin of the Immaculate Conception with Sts Andrew and John the ...
Coronation of the Virgin by Enguerrand Quarton (1453-54), with Christ and God the Father as identical figures, as specified by the cleric who commissioned the work. Guido Reni's Archangel Michael tramples Satan (c. 1636, in the Capuchin church of Santa Maria della Concezione, Rome). Catholic art is art produced by or for members of the Catholic ...
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
In practice, identifiably Christian art only survives from the 2nd century onwards. [1] After 550, Christian art is classified as Byzantine, or according to region. [1] [2] It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable ...
G Schiller, Iconography of Christian Art, Vol. II,1972 (English trans from German), Lund Humphries, London, figs 471–75, ISBN 0-85331-324-5; Emile Mâle, The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions), ISBN 978-0064300322