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Islamic influences on Western art refers to the stylistic and formal influence of Islamic art, defined as the artistic production of the territories ruled by Muslims from the 7th century onward, on European Christian art. Western European Christians interacted with Muslims in Europe, Africa, and the Middle East and formed a relationship based ...
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843–1261. New York: The Metropolitan Museum of Art. ISBN 978-0-8109-6507-2. Hein, David. “Christianity and the Arts.” The Living Church, May 4, 2014, 8–11. The Vatican: spirit and art of Christian Rome. New York: The Metropolitan Museum of Art. 1982.
The bulk of the exhibition was of secular art works and the presentation focused on their artistic value rather than religious messages. The exhibitions emphasise links between the Abrahamic religions, highlighting art works made by Jews and Muslims working together, as well as works that depict figures from all three religions. [101]
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
Hilye, or calligraphic panel containing a physical description of the Prophet Muhammad made in 1718 in the Galata Palace, Istanbul. Dihya Salim al-Fahim, (1718), via Wikimedia CommonsThe ...
The term Mudéjar also can be translated from Arabic as "one permitted to remain", which refers to the Christians allowing Muslims to remain in Christian Iberia. Another term with the same meaning, ahl al-dajn ("people who stay on"), was used by Muslim writers, notably al-Wansharisi in his work Kitab al-Mi'yar. [6]
The conversation between Islamic art and other monotheistic religions, such as Judaism and Christianity, that co-existed alongside Muslim rule during the Middle Ages, can be depicted through decorative compositions. These can range from the display of geometric arrangements, to figural imagery in specific contexts.