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Good People is a 2011 play by David Lindsay-Abaire. The world premiere was staged by the Manhattan Theatre Club in New York City. [ 1 ] The production was nominated for two 2011 Tony Awards – Best Play and Best Leading Actress in a Play ( Frances McDormand ), with the latter winning.
Richard Edwards' play Damon and Pythias, written in the year Shakespeare was born, contains the lines, "Pythagoras said that this world was like a stage / Whereon many play their parts; the lookers-on, the sage". [2] When it was founded in 1599 Shakespeare's own theatre, The Globe, may have used the motto Totus mundus agit histrionem (All the ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Shakespeare is thought to have written the following parts of this play: Act I, scenes 1–3; Act II, scene 1; Act III, scene 1; Act V, scene 1, lines 34–173, and scenes 3 and 4. [36] Summary Two close friends, Palamon and Arcite, are divided by their love of the same woman: Duke Theseus' sister-in-law Emelia.
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor.He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.
The event pinpoints the date of a Shakespeare play with rare precision. Sir Henry Wotton recorded that the play "was set forth with many extraordinary circumstances of pomp and ceremony". [18] The theatre was rebuilt but, like all the other theatres in London, the Globe was closed down by the Puritans in 1642.
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Forty years earlier, a full-length book had appeared, An Essay on the Dramatic Character of Sir John Falstaff (1777), by Maurice Morgann, often taken as the beginning of that school of Shakespearean criticism which considers the characters of Shakespeare's plays as though they were real people. [63]