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A. R. Rahman made his debut in Indian Music Industry with the 1992 Tamil film Roja.In his three decade long career, he has composed and produced original scores and songs for more than 145 films in various languages, namely Tamil, Hindi, Telugu, Malayalam, English, Persian and Mandarin.
Haveli Sangeet is a form of Hindustani classical music sung in havelis. The essential component is dhrupad. It originated in Govardhan,Mathura in Braj, northern India. It takes the form of devotional songs sung daily to Krishna by the Pushtimarg sect.
Saregama owns music repertoire across film music, non-film music, Carnatic, Hindustani classical, devotional music, etc. in over 25 Indian languages. The first song recorded in India by Gauhar Jaan in 1902 and the first film made in Bollywood ‘ Alam Ara ' in 1931 were under the music label.
Lingaa is the soundtrack album composed by A. R. Rahman, to the 2014 Indian Tamil film of the same name written and directed by K. S. Ravikumar.The soundtrack album consists of five tracks, out of which, four had lyrics by Vairamuthu while the fifth was written by his son Madhan Karky.
A Bhajan in Hindu traditions is an informal, loosely structured devotional song with music in a regional language. [19] They are found all over India and Nepal, but are particularly popular among the Vaishnav traditions such as those driven by devotion to avatars of Vishnu such as Krishna , Rama , Vitthal and Narayana (often with their consorts).
Bramayugam is the soundtrack to the 2024 film of the same name directed by Rahul Sadasivan and produced by Chakravarthy Ramachandra and S. Sashikanth under Night Shift Studios and YNOT Studios, respectively, starring Mammootty, Arjun Ashokan and Sidharth Bharathan.
The music video for "Main Tera Rasta Dekhunga", a duet written by Amitabh Bhattacharya and performed by Vishal Mishra and Shreya Ghoshal was released on 27 December. [18] The music video for "Chal Ve Watna" was released on 4 January 2024. [19] The soundtrack featuring eight songs were released by T-Series on 18 December. [20]
Rabindra Sangeet merges fluidly into Tagore's literature, most of which—poems or parts of novels, stories, or plays alike—were lyricised. Influenced by the thumri style of Hindustani music, [citation needed] they ran the entire gamut of human emotion, ranging from his early dirge-like Brahmo devotional hymns to quasi-erotic compositions. [8]