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Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
The Zohar lists Jophiel as a Great Angel Chief in charge of 53 legions who superintend Torah-readings on the Sabbath. [9] Jophiel is said to be a companion to the angel Metatron. [6] C. E. Clement, in her book Angels in Art, names Jophiel as the teacher of Ham, Japheth, and Shem. [6]
The angels meet Adam, and seem to share, albeit to a lesser degree, the defiant reaction of Iblīs, who stands at the back haughtily turning his head away. According to tradition, God created Iblīs as a beautiful angel called ʿAzāzīl and he is depicted as such here. He is portrayed with his characteristic darker skin to denote his impending ...
Angel, Still Groping; The Angels' Kitchen; Angelus Novus; The Annunciation (Tanner) The Apotheosis of Homer (Ingres) Apparition of Christ to the Virgin; Apparition of the Virgin to St Bernard (Fra Bartolomeo) The Apparition of the Virgin to Saint Bernard (Murillo) Apparition of the Virgin to St Bernard (Filippino Lippi) The Appearance of the ...
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
Three Angels and Young Tobias; Tobias and Sarah in Prayer with the Angel Raphael and the Demon; Tobias and the Angel (Filippino Lippi) Tobias and the Angel (Pollaiuolo) Tobias and the Angel (Savoldo) Tobias and the Angel (Verrocchio)
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