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Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
He was Professor Emeritus of Art History, and Curator Emeritus of Northwest Coast Indian Art at the Burke Museum of Natural History and Culture and occasionally lectured at the University of Washington in Seattle. [1] Holm's 1965 book Northwest Coast Indian Art: An Analysis of Form has for decades been the standard introductory text in the field.
Townsend-Gault’s own writing and collaborative editorial projects are recognized as foundational reading for students and scholars working in the areas of museums studies, museum anthropology, and the art history of Indigenous arts of the Northwest Coast. [7] The 2013 anthology Native Art of the Northwest Coast: A History of Changing Ideas ...
Coined by Bill Holm in his 1965 book Northwest Coast Indian Art: An Analysis of Form, [1] [2] the "formline is the primary design element on which Northwest Coast art depends, and by the turn of the 20th century, its use spread to the southern regions as well. It is the positive delineating force of the painting, relief and engraving.
^ Gunther, Erna. 1966 Art in the Life of the Northwest Coast Indians. Portland Art Museum, Portland. ^ Kaufmann, Carol. 1976 In Ethnic and Tourist Arts: Cultural Expressions from the Fourth World. edited by Nelson H. H. Graburn. ^ Sheehan, Carol. 1983 Pipes That Won't Smoke, Coal That Won't Burn: Haida Sculpture in Argillite. Glenbow, Calgary.
The most elaborate and artistic painted pictographs being the Rock art of the Chumash people, and petroglyphs those of the Coso people in the Coso Rock Art District. [12] Ancient Northwest Coast art features formline painting on woven items and wood; however, few of these items survived the centuries the temperate rainforest climate.
These speakers have included Robert Davidson, Roy Henry Vickers, Keith Smartch, Bill McLennan, Greg Schauff, and representatives from the Royal BC Museum, the Canadian Museum of Civilization and other institutions representing the arts and culture in the Northwest Coast. The First Nations Fine Arts program is unique as a university credit ...
Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century. [3] The Bill Reid Gallery of Northwest Coast Art celebrates his legacy through the curation of contemporary Indigenous art.
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