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A fingerbraiding modern arrow sash handmade in 2007 (with details of the patterns) A machine-woven modern arrow sash The ceinture fléchée [sɛ̃tyʁ fleʃe] (French, 'arrowed sash') or ('arrow sash') is a type of colourful sash, a traditional piece of Québécois clothing linked to at least the 17th century (of the Lower Canada, Canada East and early confederation eras).
In its early days, the obi was a cord or ribbon-like sash, approximately 8 centimetres (3.1 in) in width. Men's and women's obi were similar. At the beginning of the 17th century, both women and men wore a thin, ribbon-like obi. By the 1680s, the width of women's obi had already doubled from its original size.
Often beads or feathers were interwoven into the patterns of the articles. The French Voyageurs (fur traders in the northern US and southern Canada) adapted the finger weaving patterns to create belts and sashes which showed which company they belonged to. The belts were the original weight belts, as they added extra support to their stomachs ...
One of the most distinctive aspects of indigenous handcrafted textiles is the use of embroidery. Indigenous motifs found on garments range from geometric patterns, zig-zag, spirals, moons, crosses and stepped frets. Thin cloth belts that wrap around the waist (fajillas) are common in a number of indigenous groups and are richly embroidered.
A sash is a large and usually colorful ribbon or band of material worn around the human body, either draping from one shoulder to the opposing hip and back up, or else encircling the waist. The sash around the waist may be worn in daily attire, but the sash from shoulder to hip is worn on ceremonial occasions only.
Tyra Shackleford (born in Ada, Oklahoma) is a Chickasaw textile artist who specializes in various hand woven techniques. Her three most prominent weaving techniques are sprang, fingerweaving, and twinning, which all date back prior to European contact, She has opened her traditional form of art to more conceptual and wearable art.
A deel is traditionally worn with a large sash, usually made of silk or leather belts with large, ornate buckles have become more common in the modern era. The area between the flaps and above the belt creates a large pocket in which the wearer can store objects; Mongolian men will occasionally even carry a silver bowl or cup, or even a snuff ...
The hair sash is often the only part of the traditional outfit that is still locally woven by women on a backstrap loom. Each ethnic group not only has their own way of wearing the hair sash interlaced or wrapped around their long hair, but colours, motifs, widths, and the manner of setting up the loom and incorporating the geometric and ...
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