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Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam.Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
Finger whistling is harder to control but achieves a piercing volume. In Boito's opera Mefistofele the title character uses it to express his defiance of the Almighty. Whistling can also be produced by blowing air through enclosed, cupped hands or through an external instrument , such as a whistle or even a blade of grass or leaf.
By the end of the 1970s, artists Đinh Thìn and Ngo Nam modernized the sáo by making this 6-finger-hole flute into 10-finger-hole flute, extending its register. [1] Examples of the difference between the two variations of the flute can be heard in Đinh Thìn's "Tiếng gọi mùa xuân" and Mão Mèo's performance of "tình xưa nghĩa cũ".
Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
Xẩm or Hát xẩm (Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is considered nowadays an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places.
A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
Xử án Bàng Quý Phi, performed by the Phước Cương troupe, c. 1928 The scene of Tự Đức offering the whip in Cải lương. Cải lương originated in Southern Vietnam in the early 20th century and blossomed in the 1930s as a theatre of the middle class during the country's French colonial period.
According to some researchers, the name Nha Trang derives from a Vietnamese spelling of the Cham language name of the site Ea Dran (literally "Reed River"), the name of the Cai River as referred to by the Cham people. From the name of this river, the name was adopted to call what is now Nha Trang, which was officially made Vietnam's territory ...