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Presley's version of "Promised Land" was released as a single on September 27, 1974. It peaked at number 14 on the Billboard Hot 100 chart, [9] and 9 on the UK Singles Chart in the fall of 1974. [10] It was included on his 1975 album Promised Land. The Presley version was used in the soundtrack of the 1997 motion picture Men in Black.
Promised Land is the twenty-first studio album by American singer and musician Elvis Presley, released by RCA Records on January 8, 1975. It was recorded in December 1973 at Stax Records studios in Memphis and released on Presley's 40th birthday in January, 1975.
"The Promised Land" is a song by the American singer-songwriter Bruce Springsteen from his 1978 album Darkness on the Edge of Town. It was released as a single in the United Kingdom, backed by another song from Darkness on the Edge of Town, "Streets of Fire", the third single from the album after "Badlands" and "Prove It All Night".
"Promised Land" is a song by American Christian hip hop musician TobyMac. The song was released as a single on September 17, 2021. [1] TobyMac co-wrote the song with Adam Agee, and collaborated with Micah Kuiper in the production of the single. "Promised Land" peaked at No. 9 on the US Hot Christian Songs chart. [2] "
Scottish folk song "The Promised Land" Chuck Berry "Queen Jane Approximately" Bob Dylan "Quinn the Eskimo (The Mighty Quinn)" Bob Dylan "The Race Is On" George Jones "Rain" The Beatles "Revolution" The Beatles "Rockin' Pneumonia and the Boogie Woogie Flu" Huey "Piano" Smith "The Same Thing" Willie Dixon "Samson and Delilah" Reverend Gary Davis
In December 2009, Frontiers Records announced that they would release Giant's fourth studio album Promise Land in 2010. The band included Terry Brock (Strangeways, Seventh Key) on lead vocals and John Roth (Winger) on guitars. Dann Huff was not a part of the band due to his busy schedule, but he co-wrote seven songs and guested on guitar on two.
The cover, drawn by underground cartoonist Robert Crumb, depicts some of the artists appearing on the album performing to skeletal Deadheads. The title comes from the song "The Music Never Stopped" from the Grateful Dead album Blues for Allah .
More than any other of Samuel Stennett's hymns, "On Jordan's Stormy Banks", which was published in Rippon's Selection under the title "Promised Land," found enormous popularity especially amongst 19th-century American Methodists.