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The strategy of building a business around posting free comics online began in the 1980s, when Eric Millikin created the first webcomic, Witches and Stitches for CompuServe in 1985. [3] [4] Self-publishing on the internet allowed Millikin to avoid censorship and the demographic constraints of mass-market print publishers. [5]
Sometimes, these books are published by mainstream comics publishers who are traditionally aimed at the direct market of regional comic books. [1] Some webcartoonists may pursue print syndication in established newspapers or magazines. In other cases, webcomic creators decide to self-publish their work.
Webcomics can be compared to self-published print comics in that anyone with an Internet connection can publish their own webcomic. Readership levels vary widely; many are read only by the creator's immediate friends and family, while some of the most widely read have audiences of well over one million readers.
By self-publishing on the Internet, Millikin was able to share his work while avoiding censorship by publishers or having to appeal to mainstream demographics. [1] [2] By 1986, other comics were published on CompuServe, including Joe Ekaitis' T.H.E. Fox, a furry webcomic drawn on the Commodore 64. [3] [4]
It also has exclusive digital releases on its website and offers 5-page previews of its comics online. [19] Image Comics was the first big publisher to offer DRM-free digital comics in the U.S., stating that it believes that consumers should be able to own what they have bought in the case of a platform having major technical problems or ...
Comics by ComiXology (launched July 2009), a digital comic book reader and store for mobile devices, including iOS (launched April 2010), Android, Windows 8 (via the Windows Store), and the Internet (web reader launched June 2010), that allows users to access their digital comic collection across multiple devices.
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