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Later, Zack Knight made a remake of this song as "Bom Diggy Diggy" for the Indian film Sonu Ke Titu Ki Sweety, which was released on 8 February 2018 through T-Series, and music produced by Aditya Dev. [10] [11] As of April 2025, both versions of the song have over 1.6 Billion combined views on YouTube. [12] [13] [14]
"Rani Ki Nikli Sawaari" Solo: RD Burman: Javed Akhtar: Jungle Beauty: 101 "Saath Tumhara Jaan Se Pyara" Sadhana Sargam: Bappi Lahiri: Shaily Shailendra Kaun Kare Kurbanie: 110 "Tu Meri Laila" Sadhana Sargam: Kalyanji Anandji: Anjaan: Maa: 78 "Aaine Ke Sau Tukde" Solo: Anu Malik: Hasrat Jaipuri, Dev Kohli 79 "Chanda Ne De Chandni" Kavita ...
Souten Ki Beti "Tu Saajan Ka Pyaar Hai" Ved Pal Saawan Kumar Tak Sadhana Sargam "Likh Diya Hai Yeh Mummy Ne Khat Mein" solo "Yeh Ji Halka Halka Suroor Hai" Kishore Kumar Swarg "Kaise Kate Din, Kaise Kate Raaten" Anand–Milind Sameer Mohammed Aziz Tejaa "Ambua Ka Ped Hai" Anu Malik Hasrat Jaipuri solo Teri Talash Mein "Pyasi Naina Tujhe Bulayen"
Tu Khuda Ho Gaya "Title Song" Solo: Vinay Kapadia: Kuldeep Panday Tu Meri Arzoo "Title Song" Gautami Roy: Subasish Bhattacharya: Shyam Raj Rota Nahin Tha Main "Title Song" Solo: Swaraj Vaishnav: Swaraj Vaishnav Mujhe Chhod Kar "Title Song" Solo: Pinaki Chatterjee: Pinaki Chatterjee Saawariya "Title Song" Aastha Gill: Aditya Dev: Dilwala Tujhe ...
Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assembly almost universally in Pakistan , [ 2 ] [ 3 ] and in Urdu-medium schools in India .
"Zamaane Ki Aakhon Ne Dekha Hain Yaaron, Zamane Ki Ankhon Ne Dekha Hain Yaaron, Sada Apni Duniya Mein Aisa Nazara, Kabhi Un Ko Phoolon Se Pooja Hain Sab Ne, Kabhi Un Ko Patthar Se Mara, Zamane Ki Ankhon Ne Dekha Hain Yaaron (Message Solo - O. P. Nayyar/Shamshul Huda Bihari) - Ek Baar Muskura Do 1972" [Nafrat Se Jinhein Dekhte Ho, Tum Marte Ho ...
"Shut Down" was a commercial success and became Blackpink's second number-one hit on the Billboard Global 200 as well as the first song by a K-pop act to top Spotify's weekly chart. In South Korea, the track topped Billboard ' s South Korea Songs chart for three weeks and peaked at number three on the Circle Digital Chart .