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To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
Two examples of Japanese cycles are: the Matter of Japan (Kojiki, Nihon Shoki, etc.) and the Genji-Heike Cycle (The Tale of the Heike, Gikeiki about Minamoto no Yoshitsune, etc.). Also popular are the Soga Brothers and Forty-Seven Ronin cycles. The Matter of Rome (or the "cycle of Rome"), which centers on Julius Caesar and Alexander the Great
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
It refers to a group of American literary notables who lived in Paris and other parts of Europe from the time period which saw the end of World War I to the beginning of the Great Depression [97] F. Scott Fitzgerald, Ernest Hemingway, Ezra Pound, Waldo Pierce, John Dos Passos: Stridentism: A Mexican artistic avant-garde movement.
The fabula (story) is what happened in chronological order. In contrast, the syuzhet (plot) means a unique sequence of discourse that was sorted out by the (implied) author. That is, the syuzhet can consist of picking up the fabula events in non-chronological order; for example, fabula is a 1, a 2, a 3, a 4, a 5, ..., a n , syuzhet is a 5, a 1 ...
A short story cycle (sometimes referred to as a story sequence or composite novel) [1] is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts. [2]
A literary genre may fall under either one of two categories: (a) a work of fiction, involving non-factual descriptions and events invented by the author; or (b) a work of nonfiction, in which descriptions and events are understood to be factual.
Max Atkinson, in his book on oratory entitled Our Masters' Voices, [19] gives examples of how public speakers use three-part phrases to generate what he calls 'claptraps', evoking audience applause. Martin Luther King Jr. , the civil rights activist and preacher, was known for his uses of tripling and the rule of three throughout his many ...