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The total harmonic distortion (THD or THDi) is a measurement of the harmonic distortion present in a signal and is defined as the ratio of the sum of the powers of all harmonic components to the power of the fundamental frequency. Distortion factor, a closely related term, is sometimes used as a synonym.
Total harmonic distortion, or THD is a common measurement of the level of harmonic distortion present in power systems. THD can be related to either current harmonics or voltage harmonics, and it is defined as the ratio of the RMS value of all harmonics to the RMS value of the fundamental component times 100%; the DC component is neglected.
Harmonic distortion adds overtones that are whole number multiples of a sound wave's frequencies. [1] Nonlinearities that give rise to amplitude distortion in audio systems are most often measured in terms of the harmonics (overtones) added to a pure sinewave fed to the system.
A total harmonic distortion analyzer calculates the total harmonic content of a sinewave with some distortion, expressed as total harmonic distortion (THD). A typical application is to determine the THD of an amplifier by using a very-low-distortion sinewave input and examining the output.
A distortionmeter (or more precisely distortion factor meter) is an electronic measuring instrument which displays the amount of distortion added to the original signal by an electronic circuit. Harmonic distortion
The relative contribution of harmonics to the distortion of the ideal waveform is called total harmonic distortion (THD). Low harmonic content in a waveform is ideal because harmonics can cause vibrations, buzzing, equipment distortions, and losses and overheating in transformers. Each of these power quality problems has a different cause.
This mainly harmonic distortion is a unique pattern of simple and monotonically decaying series of harmonics, dominated by modest levels of second harmonic. The result is like adding the same tone one octave higher in the case of second-order harmonics, and one octave plus one fifth higher for third-order harmonics.
If the sine wave is applied to a linear circuit, such as a non–distortion amplifier, the output is still a sine wave (but may acquire a phase shift). However, if the sine wave is applied to a nonlinear circuit, the resulting distortion creates harmonics; frequency components at integer multiples nf of the fundamental frequency f.
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