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"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100 , but fared much better on the US Cash Box Top 100 , where it peaked at number 18.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Other singles charted higher overseas: "Everybody Hurts" charted in the top ten on the United Kingdom singles chart, Canada, and Australia. [ 37 ] A live, harder, version of "Drive" appears on the Alternative NRG , recorded at Athens' 40 Watt Club on November 19, 1992, during an invitation-only concert supporting Greenpeace Action.
The band performed a heartfelt version of the R.E.M. song “Everybody Hurts”, as well as debuting two unreleased compositions: the songs “Radio” and “At Your Side”, with lyrics by Sharon Corr, would eventually go on to be re-recorded and featured on their album In Blue, the following year.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
Everybody Hurts" is a 1993 song by R.E.M. Everybody Hurts may also refer to: "Everybody Hurts" (The Sopranos), the sixth episode of the series' fourth season "Everybody Hurts", a song by Avril Lavigne from her 2011 album Goodbye Lullaby
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.) The scale-degree chords of E-sharp minor are: Tonic – E-sharp minor
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