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The Billboard Dance/Electronic Songs chart ranks the most popular dance and electronic song combining airplay audience impressions, digital downloads, streaming and club play. [1] The chart was introduced by Billboard in January 2013 as a result of the rise in popularity of the genres. [1]
Aside from the artists whose music was popular in the Detroit high school scene ("progressive" disco acts such as Giorgio Moroder, Alexander Robotnick, and Claudio Simonetti synth-pop artists such as Visage, New Order, Depeche Mode, The Human League, and Heaven 17), they point to examples such as "Sharevari" (1981) by A Number of Names, [155 ...
Ambient techno songs (3 C, 1 P) 0–9. 2 Brothers on the 4th Floor songs (8 P) 2 Unlimited songs (19 P) 808 State songs (4 P) B. Baby D (dance group) songs (3 P) C.
"Pump Up the Jam" is the opening track on Belgian act Technotronic's first album, Pump Up the Jam: The Album (1989). It was released as a single on 18 August 1989 [6] by Swanyard and SBK Records, and was a worldwide hit, reaching number two in the United Kingdom in late 1989 and on the US Billboard Hot 100 in early 1990.
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins , Eddie Fowlkes , Derrick May , Jeff Mills , Kevin Saunderson , Blake Baxter , Drexciya , Mike Banks , James Pennington and Robert Hood .
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
In its early development, electronic music was associated almost exclusively with Western art music, but from the late 1960s, the availability of affordable music technology—particularly of synthesizers—meant that music produced using electronic means became increasingly common in the popular domains of rock and pop music and classical ...
Music journalist Simon Reynolds has written detailed accounts on Belgian hardcore techno, covering bands like Second Phase, T99, L.A. Style and Human Resource. Many iconic synth sounds or "stabs" of the early rave scene were popularized by these and other producers during the early 1990s, like the "mentasm" or "hoover" [ 23 ] and the ...