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The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
Thomasson or Hyperart Thomasson (Japanese: Tomason トマソン or Chōgeijutsu Tomason 超芸術トマソン) is a type of conceptual art named by the Japanese artist Akasegawa Genpei in the 1980s. It refers to a useless relic or structure that has been preserved as part of a building or the built environment, which has become a piece of art ...
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
The Gutai Art Association (具体美術協会, Gutai Bijutsu Kyōkai, or, short, Gutai) was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. It operated until shortly after Yoshihara's death in 1972.
The most important function of Nihon Bijutsuin is the organization and promotion of the inten (院展) biennial fine arts exhibitions. The Spring Exhibition is held in early April, for two weeks at the Mitsukoshi Department Store in Tokyo, followed by a tour around Japan for four months, at ten different locations.
The stimulus of Western art forms returned sculpture to the Japanese art scene and introduced the plaster cast, outdoor heroic sculpture, and the school of Paris concept of sculpture as an "art form". Such ideas adopted in Japan during the late 19th century, together with the return of state patronage, rejuvenated sculpture.
Himeji Castle (姫路城, Himeji-jō) ([çimeʑiꜜʑoː] ⓘ) is a hilltop Japanese castle complex situated in Himeji, a city in the Hyōgo Prefecture of Japan.The castle is regarded as the finest surviving example of prototypical Japanese castle architecture, comprising a network of 83 rooms with advanced defensive systems from the feudal period. [7]