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  2. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    The sixteen-bar blues can be a ... One adaptation extends the first section of tonic chords (bars 1–4) by doubling or repeating to become the first half (bars 1–8 ...

  3. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. [8] These chords are similar with slight changes, but are all centered around the same key center.

  4. All Blues - Wikipedia

    en.wikipedia.org/wiki/All_Blues

    "All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8 ; the chord sequence is that of a basic blues and made up entirely of seventh chords , with a ♭ VI in the turnaround instead of just the usual V chord.

  5. Davenport Blues - Wikipedia

    en.wikipedia.org/wiki/Davenport_Blues

    "Davenport Blues" as a 1925 Gennett 78, 5654-B, by Bix Beiderbecke and the Rhythm Jugglers. 1927 sheet music cover, "Davenport Blues", Robbins Music, New York. Davenport Blues is a 1925 jazz composition written and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard.

  6. Blue note - Wikipedia

    en.wikipedia.org/wiki/Blue_note

    In the case of the lowered third over the root (or the lowered seventh over the dominant), the resulting chord is a neutral mixed third chord. Blue notes are used in many blues songs, in jazz, and in conventional popular songs with a "blue" feeling, such as Harold Arlen's "Stormy Weather". Blue notes are also prevalent in English folk music. [5]

  7. Eight-bar blues - Wikipedia

    en.wikipedia.org/wiki/Eight-bar_blues

    The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1] In the following examples each box represents a 'bar' of music (the specific time signature is not relevant).

  8. Spoonful - Wikipedia

    en.wikipedia.org/wiki/Spoonful

    "Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...

  9. Driftin' Blues - Wikipedia

    en.wikipedia.org/wiki/Driftin'_Blues

    "Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown 's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". [ 1 ] "

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