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Tolkien enjoyed medieval works like Fastitocalon, and often imitated them in his poetry, in this case in a poem of the same name.French manuscript, c. 1270. J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings, both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth novels where he embodied a wide range of medieval ...
Anachronism, chronological inconsistency, is seen in J. R. R. Tolkien's fantasy world of Middle-earth in the juxtaposition of cultures of evidently different periods, such as the classically-inspired Gondor and the medieval-style Rohan, and in the far more modern hobbits of the Shire, a setting which resembles the English countryside of Tolkien ...
Medieval Christian cosmology: heaven above, earth in the middle, hell below. [1] Vank Cathedral, Isfahan. Scholars have seen multiple resemblances between the medieval Christian conception of hell and evil places in J. R. R. Tolkien's fictional world of Middle-earth.
The Keys of Middle-earth: Discovering Medieval Literature Through the Fiction of J.R.R. Tolkien is a 2005 book by Stuart Lee and Elizabeth Solopova.It is meant to provide an understanding of J. R. R. Tolkien's Middle-earth fantasy writings in the context of medieval literature, including Old and Middle English and Old Norse, but excluding other relevant languages such as Finnish.
Philology, the study of comparative and historical linguistics, especially of the medieval period, had a major influence on J. R. R. Tolkien's fantasy world of Middle-earth. He was a professional philologist, and made use of his knowledge of medieval literature and language to create families of Elvish languages and many details of the invented ...
Tolkien wished to imitate the style and content of Morris's medievalising prose and poetry romances such as the 1889 The House of the Wolfings, [T 6] and made use of placenames such as the Dead Marshes [T 7] and Mirkwood. [T 8] Tolkien read Morris's 1870 translation of the Völsunga saga when he was a student, introducing him to Norse mythology ...
Tolkien stated that he wanted to create a mythology evocative of England, not of Italy. Scholars have noted aspects of his work, such as the plants of Ithilien, which are clearly Mediterranean but not specifically classical. Tolkien's fiction was brought to a new audience by Peter Jackson's film version of The Lord of the Rings.
The book discusses Tolkien's inspiration in creating the world of Middle-earth and the writing of works including The Hobbit, The Lord of the Rings, and The Silmarillion.A recurrent theme is that of Tolkien's detailed linguistic studies (particularly of Old Norse and Old English) and the creation of languages (such as Sindarin and Khuzdul) which feature prominently throughout his works.