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We Don't Trust You (stylized in all caps) is the first collaborative studio album by American rapper Future and American record producer Metro Boomin, released on March 22, 2024, by Freebandz (under the business name Wilburn Holding Co.), Epic Records, Boominati Worldwide, and Republic.
The album debuted and peaked atop the Billboard 200, giving Metro his third chart-topping project, that too in a row. It produced two top-10 singles, " Creepin' ", a collaboration with the Weeknd and 21 Savage, and " Superhero (Heroes & Villains) ", a collaboration with Future and Chris Brown ; the songs debuted and peaked at numbers three and ...
"Red Leather" is a song by American rapper Future and American record producer Metro Boomin with fellow American rapper J. Cole. [1] It was released through Freebandz (under the business name Wilburn Holding Co.), Boominati Worldwide, Epic Records, and Republic as the eighteenth track from the former two's collaborative studio album, We Still Don't Trust You, on April 12, 2024.
It should only contain pages that are Metro Boomin albums or lists of Metro Boomin albums, as well as subcategories containing those things (themselves set categories). Topics about Metro Boomin albums in general should be placed in relevant topic categories .
"Cinderella" is a song written and performed by American rapper Future and American record producer Metro Boomin with fellow American rapper and singer Travis Scott. It was released through Freebandz (under the business name Wilburn Holding Co.), Boominati Worldwide , Epic Records , and Republic as the ninth track from the former two's ...
Picking his proudest moment from the past year is not easy for Metro Boomin. The super-producer has been on quite a run since releasing his second solo album, “Heroes & Villains,” in December ...
Set It Off (Offset album) Slime Season; Slime Season 2; Slimeball 3; Spider-Man: Across the Spider-Verse (soundtrack) SR3MM; Starboy (album) The State vs. Radric Davis II: The Caged Bird Sings; Stoney (album) Street Gossip (mixtape)
Metro Boomin’s un-steadying orchestral see-sawing does finally find an aptly theatrical flow when Kendrick Lamar jumps on the verses of “Like That” with his yelping rap, dip-diving breaths ...