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The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
English: A simple Celtic knot with doubled threads. The design is taken from an ornament in the Lindisfarne Gospels, fol. 211r, where it appears at the base of the P of principium in the opening phrase of the Gospel of John, IN Principium erat uerbum.
Version of PD image File:Celtic-knot-insquare-39crossings.svg with red interlacing on black background to serve as vector replacement for File:Celtknot x44.png. Date: 2010: Source: Own work-- Converted from the following vector PostScript source code:
A quasi-Celtic ornamental knot which fills a square. For much simpler knotwork which fills a square, see File:Celtic-knot-insquare-green-transparentbg.svg. For alternative visual realization, see File:Celtic-knot-insquare-39crossings red-on-black.svg. Date: 2010: Source: Own work-- Converted from the following vector PostScript source code:
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Simple 7-crossing quasi-Celtic linear decorative knot. Date: 2010 (PostScript); 2013 (converted to SVG and uploaded to Commons) Source:
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
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