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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
The next emperor, Aurangzeb (r. 1658–1707), wasn't interested in art, and Mughal painting declined. Formal portraits of the emperor and the nobility remained in demand, but they were created through the increasingly mechanical repetition of long established formulas.
Portrait of an old man, a presumed self-portrait (detail). Metropolitan Museum of Art, New York. Farrukh Beg (Persian: فرخ بیگ; c. 1547 – after 1615), also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."
Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles.
This painting's image measures 197 x 128.5 cm and is the largest known Mughal painting. Gouache with gold on fine cotton Squirrels in a Plane Tree: c. 1610 British Library: One of the most famous painting associated with Abu al-Hasan's name, Squirrels in a Plane Tree, is a depiction of animal posture and
Rembrandt benefitted from this global exposure that enabled him to buy "drawings and prints from the principal masters of the whole world". His inventory included Chinese, Turkish and Mughal Indian artefacts. The latter was the inspiration for his late-career Mughal drawings, which marked a significant departure from his usual style and subjects.
Mughal painting is a style of Indian painting, generally confined to illustrations on the book and done in miniatures, and which emerged, developed and took shape during the period of the Mughal Empire between the 16th and 19th centuries. [29]
The Gulshan album was an early project of the cultured Mughal emperor Jahangir (r. 1605–1627). [7] Based on internal inscriptions, the collection was probably begun about 1599, while Jahangir was still Prince Salim, governor of Allahabad and son of the ageing Emperor Akbar, and continued till about 1609. [6]