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E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
"Knock On Wood" was written in the Lorraine Motel in Memphis, Tennessee (now The National Civil Rights Museum). Steve Cropper has stated in interviews that there was a lightning storm the night that he and Eddie wrote the song, hence the lyrics 'It's like thunder, lightning, The way you love me is frightening'.
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
E tuning – E'-A'-D-G-c-e-a Three and a half steps down from standard. F Tuning with Low E – E'-A ♯ '-D ♯-G ♯-c ♯-f-a ♯ / E'-B ♭ '-E ♭-A ♭-d ♭-f-b ♭ Used by Meshuggah on "Stengah", "Perpetual Black Second", "Glints Collide" and "Organic Shadows" from the Nothing album and on "Marrow" from the album Koloss, although the ...
In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means that they usually support a melody originally designed for the tonic (I) chord.
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Celtic Challenge. Gwalia Lightning (21) 42. Tries: P Jones, Richards, M Davies, Hughes, Terry, Lewis Cons: Hughes 6 Brython Thunder (5) 22. Tries: Gant, Gill, John, Hing Con: Tromans Gwalia ...
"Lightning Crashes" is a song by American rock band Live. It was released in September 1994 as the third single from their second studio album, Throwing Copper . Although the track was not released as a single in the United States, it received enough radio airplay to peak at No. 12 on the Billboard Hot 100 Airplay chart in 1995.