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Meanders are common decorative elements in Greek and Roman art. In ancient Greece they appear in many architectural friezes, and in bands on the pottery of ancient Greece from the Geometric period onward. The design is common to the present-day in classicizing architecture, and is adopted frequently as a decorative motif for borders for many ...
Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
Two decorative strips, called jingyan (惊燕; literally "frighten swallows"), are sometimes attached to the top of the scroll. [ 2 ] [ 5 ] At the bottom of the scroll is a wooden cylindrical bar, called digan (地杆), attached to give the scroll the necessary weight to hang properly onto a wall, but it also serves to roll up a scroll for ...
A face, usually human, sometimes frightening or chimeric, used as a decorative element. Meander A decorative border consisting of a repeated linear motif, particularly of intersecting perpendicular lines. [61] Also known as a fret or a key pattern. Metope In a Doric entablature, the space between triglyphs along the frieze. [62]
Continuous scroll decoration has a very long history, and such patterns were an essential element of classical and medieval decoration. The use of scrolls in ornament goes back to at least the Bronze Age; geometric scroll ornament has been found in the Palace of Knossos at Minoan Crete dating to approximately 1800 BC, [8] perhaps drawing from even earlier Egyptian styles; there were also early ...
Border Gong (工; work) and bats Decorative Floral and twines Grass pattern Tang caowen [4] Twined branches Chanzhiwen [4] Curves Pommel pattern Guri (屈輪) / Pommel scroll [21] Geometric Diagonal Diagonal straight lines Lishui: Diagonal wavy lines Semicricles Horizontal semi-circles Woshui Curvilinear Swirl [4] Wavy Wavy Boqu [4] Others
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For Wilde, however, the inner meaning of Victorian decorative arts is fourfold: one must first reconstruct one’s inside so as to grasp what is outside in terms of both living quarters and mind, whilst hearkening back to von Humboldt on the way to Plato so as to be immersed in contemporaneous cosmopolitanism, [8] thereby in the ideal state ...
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