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The Venus of Willendorf is an 11.1-centimetre-tall (4.4 in) Venus figurine estimated to have been made c. 30,000 years ago. [1] [2] It was recovered on 7 August 1908 from an archaeological dig conducted by Josef Szombathy, Hugo Obermaier, and Josef Bayer at a Paleolithic site near Willendorf, a village in Lower Austria.
It has frequently been suggested that they may have served a ritual or symbolic function. There are widely varying and speculative interpretations of their use or meaning: they have been seen as religious figures, [5] an expression of health and fertility, grandmother goddesses, or as self-depictions by female artists. [6]
Two of the earliest known possible depictions of fertility in art are the Venus of Willendorf (c. 25,000 BCE), an oolitic limestone figurine of a woman whose breasts and hips have been exaggerated to emphasise her fertility found in Austria and the Fertility Goddess of Cernavoda (c. 5,000 BCE) found in Romania, a small figurine that is meant to ...
The statuette, one of several iconographically similar ones found at the site, is similar to other corpulent prehistoric goddess figures, [4] of which the most famous is the Venus of Willendorf. It is a neolithic sculpture shaped by an unknown artist, and was completed in approximately 6000 BC.
Icons of Lajja Gauri have been found in different villages, and local people identify her with other goddesses such as Aditi, Adya Shakti, Renuka and Yallamma. [5] A notable sculpture of her dating to 150-300 CE was found at Amravati (now kept at State Museum, Chennai), [6] Tribal areas of Central India, Andhra Pradesh, Karnataka, where the town of Badami, known for the Badami Cave Temples ...
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Renenūtet (also transliterated Ernūtet, Renen-wetet, Renenet) was a goddess of grain, grapes, [1] nourishment and the harvest in the ancient Egyptian religion. [2] The importance of the harvest caused people to make many offerings to Renenutet during harvest time. Initially, her cult was centered in Terenuthis.
The exact role in cult and the purpose of the votive figures is unclear. It has been suggested that the figures represent a mother/fertility goddess, sacred prostitutes, or were charms to protect women during pregnancy. [3] Dea Gravida figures have occasionally been found together with a statue of a bearded male wearing an Atef crown. [4]