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The Venus of Willendorf is an 11.1-centimetre-tall (4.4 in) Venus figurine estimated to have been made c. 30,000 years ago. [1] [2] It was recovered on 7 August 1908 from an archaeological dig conducted by Josef Szombathy, Hugo Obermaier, and Josef Bayer at a Paleolithic site near Willendorf, a village in Lower Austria.
Upper Palaeolithic female figurines are collectively described as "Venus figurines" in reference to the Roman goddess of beauty Venus. The name was first used in the mid-nineteenth century by the Marquis de Vibraye , who discovered an ivory figurine and named it La Vénus impudique or Venus Impudica ("immodest Venus"). [ 10 ]
Venus Anadyomene is a painting by Apelles that shows Aphrodite rising from the sea. The original painting is now lost, but a colossal copy of the painting exists, painted by the artist Titian and known as Venus Anadyomene by Titian. It depicts Venus (Aphrodite) rising from the sea and wringing her wet hair after her birth, a pose inspired by an ...
The Tennessee-Cumberland statues seem to represent venerated ancestors (possibly Lucky Hunter and Corn Woman), and a third variety represents Old Woman or Spider Grandmother, a creator and fertility goddess. Early European explorers describe stone statues as being kept in mortuary temples or shrines, frequently on top of platform mounds.
Icons of Lajja Gauri have been found in different villages, and local people identify her with other goddesses such as Aditi, Adya Shakti, Renuka and Yallamma. [5] A notable sculpture of her dating to 150-300 CE was found at Amravati (now kept at State Museum, Chennai), [6] Tribal areas of Central India, Andhra Pradesh, Karnataka, where the town of Badami, known for the Badami Cave Temples ...
The Venus of Hohle Fels (also known as the Venus of Schelklingen; in German variously Venus vom Hohlen Fels, vom Hohle Fels; Venus von Schelklingen) is an Upper Paleolithic Venus figurine made of mammoth ivory that was unearthed in 2008 in Hohle Fels, a cave near Schelklingen, Germany, part of the Caves and Ice Age Art in the Swabian Jura UNESCO World Heritage Site.
Proserpina replaced or was combined with the ancient Roman fertility goddess Libera, whose principal cult was housed in the Aventine temple of the grain-goddess Ceres, along with the wine god Liber. Each of these three deities occupied their own cella at the temple. Their cults were served or supervised by a male public priesthood.
The Rokeby Venus depicts the Roman goddess of love, beauty and fertility reclining languidly on her bed, her back to the viewer—in Antiquity, portrayal of Venus from a back view was a common visual and literary erotic motif [8] —and her knees tucked.
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