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The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
The Benedictus (also Song of Zechariah or Canticle of Zachary), given in Gospel of Luke 1:68–79, is one of the three canticles in the first two chapters of this Gospel, the other two being the "Magnificat" and the "Nunc dimittis".
On 24 August that year, during vacation, the Te Deum was repeated with the first performance of the Benedictus, while the Magnificat and the Nunc dimittis were first performed in the evening service. The Service in B ♭ was a significant development in Stanford's setting of the morning and evening canticles.
At Evening Prayer, the Magnificat and Nunc dimittis were sung. On Sundays, Wednesdays and Fridays, Cranmer's litany was to follow Morning Prayer. [45] Clergy were required to say both Morning and Evening Prayer daily. If this requirement was followed, a clergyman would have read the entire Old Testament once a year.
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology.The following table shows the title, voices, tempo marking, time, key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
The Magnificat and Nunc dimittis for Gloucester Cathedral, also known as the Gloucester Service, is a setting by the English composer Herbert Howells of the Magnificat and Nunc dimittis for the Anglican service of Evensong. Scored for four-part choir and organ, it was written in 1946 for Gloucester Cathedral. It was published by Novello in 1947.
The 103-year-old believes the reason she was banned is because she spoke out about the church's pastor, Rev. Tim Maddox. "He told police he wanted to put us out, but the police told him 'you can't ...
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach.