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Statue of "the Buddha preaching on reason," with the Buddha's hands in the double abhāya mudrā position (Luang Phrabāng, Laos) Reasoning and exposition ( Vitarka mudrā ): the arm and hand are positioned in the same manner as in the abhāya mudrā , except that the thumb and forefinger are brought together.
Buddhābhiseka is known a number of different terms in various languages. [1] The terms kaiyan (開眼; 'opening the eyes'), kaiguang (開光; 'opening the light'), and dianyan (點眼; 'dotting the eyes') and their derivative forms are used in the Chinese, Korean (where is it known as jeom-an or 점안), Japanese (where it is known as kaigen) and Vietnamese languages (where it is known as ...
A Buddha image in Thailand typically refers to three-dimensional stone, wood, clay, or metal cast images of the Buddha. While there are such figures in all regions where Buddhism is commonly practiced, the appearance, composition and position of the images vary greatly from country to country in Buddhist art .
Wood is popular for small, votive Buddhist images that are often left in caves. Wood is also very common for large, life-size standing images of the Buddha. The most famous two sculptures carved in semi-precious stone are the Phra Keo (The Emerald Buddha) and the Phra Phuttha Butsavarat.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
A statue or a painting of Buddha always illustrates a mudra or gesture. There are large numbers of these, but a few are the oldest and most common. In Mahayana Buddhism , some of the most common have also become identified with the five transcendental Buddhas, also called " Dhyani Buddhas " or "Pancha Buddhas", further complicating ...
The meaning of the phrase is thus "salutation seal". [ 9 ] Anjali mudra is described in ancient Indian texts such as in verse 9.127–128 of the Natya Shastra (200 BCE – 200 CE), in temple architecture texts dated after the 6th-century CE such as in verse 5.67 of the Devata murti prakarana, and those on a painting called the Citrasutras .
Wihan (Thai: วิหาร) – a shrine hall that contains the principal Buddha images. It is the assembly hall where monks and laypeople congregate. Mondop (Thai: มณฑป) - specific square- or cruciform-based building or shrine, sometimes with a spired roof. It is a ceremonial form that can be appear on different kinds of buildings.