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At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
Arthur Migliazza began studying classical piano at age nine in Washington, D.C., but soon switched to playing blues at age 10 when exposed to it by his teacher. [3] At age 11, Migliazza moved to Tucson, Arizona, with his family and played his first professional show at age 13 at the Tucson Blues Festival, opening for Little Milton.
Blue notes are used in many blues songs, in jazz, and in conventional popular songs with a "blue" feeling, such as Harold Arlen's "Stormy Weather". Blue notes are also prevalent in English folk music. [5] Bent or "blue notes", called in Ireland "long notes", play a vital part in Irish music. [6]
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
She is known for composing the Jazz, Rags and Blues series for Alfred music. Many of her works appear in Canada's Royal Conservatory of Music and Conservatory Canada examination syllabi. She is also renowned for her "Romantic Impressions" solo piano books, which contain pieces for beginners to advanced players alike. [1]
Frank Paparelli (* December 25, 1917 in Providence, Rhode Island; † May 24, 1973 in Los Angeles, California) was an American Jazz pianist, Composer and Author.He was a pianist in Dizzy Gillespie's band during the mid-1940s, and is notable as the co-writer (with Gillespie) of the bebop standard "A Night in Tunisia" and "Blue 'n' Boogie".
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