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Hymns for Pentecost are hymns dedicated to the Christian feast of Pentecost, or Whitsun. Along with Christmas and Easter , it is a high holiday, dedicated to the Holy Spirit , or Holy Ghost. Hymns have been written from the 9th century to contemporary.
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]
Bach composed the cantata during his second year in Leipzig for Pentecost Monday. [2] [3] The prescribed readings for the feast day were taken from the Acts of the Apostles, the sermon of Saint Peter for Cornelius (Acts 10:42–48), and the Gospel of John, "God so loved the world" from the meeting of Jesus and Nicodemus (John 3:16–21).
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The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
List of gospel songs which have reported sales of 1 million units or higher but are uncertified by the Recording Industry Association of America (RIAA). Though "I'll Take You There" by The Staple Singers was certified Gold on January 31, 2019, for digital sales of 500,000 units, [4] its physical sales of 1.5 million units, reported on May 6, 1972, are uncertified by the RIAA.
As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. [52] During the 19th century, the gospel-song genre spread rapidly in Protestantism and to a lesser but still definite extent, in Roman Catholicism; [53] the gospel-song genre is unknown in the worship per se by Eastern Orthodox ...
In the Missal of Pius V (1570) the number of sequences for the entire Roman Rite was reduced to four: Victimae paschali laudes (11th century) for Easter, Veni Sancte Spiritus for Pentecost (12th century), Lauda Sion Salvatorem (c.1264) for Corpus Christi, and Dies Irae (13th century) for All Souls and in Masses for the Dead.
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