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The 24.75" scale mahogany neck joins the body at the 19th or 22nd fret. Early models had a smaller neck joint with a longer tenon. This neck design provided access above the 16th fret. Epiphone-made bolt-on neck models still use a 16th fret neck joint. [6] [note 1] The SG's set neck is shallower than the Gibson Les Paul's.
Fender has also built some 3/4-size student guitars with a scale length of 22.5 inches (570 mm) or shorter. Gibson uses a scale length of 24 + 3 ⁄ 4 inches (630 mm) on most of its electric guitars, including the ES-335, Les Paul, SG, Flying V, and Explorer. Gibson has used other scale lengths on various models through the years.
Les Paul built the model using a recycled 4x4 fence post as the neck and body core, and mounted the disassembled parts of an Epiphone and Gibson archtop guitar onto it. Neck-through construction on an early Ibanez Studio guitar. Despite its neck-thru construction, it has a bulky heel with little or no chamfering. This greatly negates the ...
Specifications during 1958–60 varied from year to year and also from guitar to guitar. Typical 1958 Les Paul Standard necks had a thicker neck, thinner frets and lower fret height, which changed during the course of 1959 to develop into typical 1960 necks with a thinner cross-section and wider, higher frets.
Nashville tuning: E7, seventh chord subset of ninth chord. E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player.
The ESP Viper is an electric guitar manufactured by ESP Guitars. The ESP Viper has a shape similar to that of a Gibson SG, with slight variations; Vipers have a slight diagonal slope at the bottom and an asymmetrical front profile. The body is mahogany or alder. The neck is three pieces, with a rosewood fingerboard.
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The shape of the neck's cross-section can also vary from a gentle curve to a more pronounced "V" shape. (On steel string guitars, the fretboard is typically gently rounded across its width. On classical guitars, the playing surface of the fretboard is generally flat. [1]) Marker dots on the face of the fretboard of modern guitars are usually ...
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