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In the Indo-Tibetan Buddhist tradition for example, the 8 spoked wheel represents the noble eightfold path, and the hub, rim and spokes are also said to represent the three trainings (sila, prajña and samadhi). [20] In Buddhism, the cyclical movement of a wheel is also used to symbolize the cyclical nature of life in the world (also referred ...
The word sīla, though translated by English writers as linked to "morals or ethics", states Bhikkhu Bodhi, is in ancient and medieval Buddhist commentary tradition closer to the concept of discipline and disposition that "leads to harmony at several levels – social, psychological, karmic and contemplative". Such harmony creates an ...
The word Chakra (चक्र) derives from the Sanskrit word meaning "wheel," as well as "circle" and "cycle". [4] The term chakra is also used to denote yantras (mystic diagrams), variously known as trikoṇa-cakra, aṣṭakoṇa-cakra, etc. Chakras are also part of the subtle body as taught by Tibetan Buddhism.
The Dharmachakra or "Wheel of the Law" (Sanskrit; Tibetan: ཆོས་ཀྱི་འཁོར་ལོ་, THL: chö kyi khorlo) represents Gautama Buddha and the Dharma teaching. This symbol is commonly used by Tibetan Buddhists, where it sometimes also includes an inner wheel of the Gankyil (Tibetan).
The Gankyil (Tibetan: དགའ་འཁྱིལ།, [1] Lhasa IPA: [/kã˥ kʲʰiː˥/]) or "wheel of joy" (Sanskrit: ānanda-cakra) is a symbol and ritual tool used in Tibetan and East Asian Buddhism. It is composed of three (sometimes two or four) swirling and interconnected blades.
Lexically, chakra is the Indic reflex of an ancestral Indo-European form *kʷékʷlos, whence also "wheel" and "cycle" (Ancient Greek: κύκλος, romanized: kýklos). [10] [3] [4] It has both literal [11] and metaphorical uses, as in the "wheel of time" or "wheel of dharma", such as in Rigveda hymn verse 1.164.11, [12] [13] pervasive in the earliest Vedic texts.
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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.