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Liberty style (Italian: stile Liberty [ˈstiːle ˈliːberti]) was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914.It was also sometimes known as stile floreale ("floral style"), arte nuova ("new art"), or stile moderno ("modern style" not to be confused with the Spanish variant of Art Nouveau which is Art Nouveau in Madrid).
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [ 1 ]
Art Nouveau and Gothic Revival acanthus designed as a bronze element of a stained glass window of Bijouterie Fouquet in Paris, by Alphonse Mucha, c.1900, charcoal drawing, Musée Carnavalet, Paris Art Nouveau corbels with Byzantine Revival acanthuses on the portico monumental Jules-Félix Coutan in the Félix-Desruelles Square , Paris, by Jules ...
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
Poster by Frances MacDonald (1896). The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain.
Ornaments are decorations added to an object, building, or structure, in any artistic or architectural style, including: Ceramics; Furniture; Glass; Leather; Printing see also: illuminated manuscripts; Textiles and Weaving; Wallpaper
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale.
He was regarded as a Symbolist, [3] but became better known for his posters in Art Nouveau style, most famously that for the Brussels International Exposition (1897). [4] Two of his posters, for Absinthe Robette and the Casino de Cabourg, were published in Les Maîtres de l'Affiche .
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