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Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
Zapruder's movie camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top-of-the-line when it was purchased in 1962. [citation needed] Zapruder had planned to film the motorcade from his office window but opted for a better spot in Dealey Plaza where the motorcade would be passing. [19]
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In 1969 the company did a large job processing film for the documentary Woodstock; and because of that work, it was awarded a contract from Life to work on the Zapruder film, the 27-second home movie captured by Abraham Zapruder of the Kennedy assassination. Groden worked on that project and made an additional unauthorized copy of the film ...
It re-evaluates the famous Zapruder film that shows the murder of JFK and states that Zapruder stopped filming and missed the first shot fired which changes the timeline of the bullets fired making it possible that the first bullet hit a traffic signal. The documentary also features other home movies taken on the day.
The version of the Zapruder film available to the public depicts the fatal head shot on only one frame of the film, frame 313. Additionally, Brugioni is certain that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 23–24, 1963.
But the legacy of the original, NSFW “Girls on Film” lives on. Two years after its limited release, Duran Duran won their first of two Grammys, for Best Short Form Video, for “Girls on Film ...
Both Moorman and her friend, Jean Hill, can be clearly seen in the Zapruder film. [3] Between Zapruder frames 315 and 316, Moorman took a Polaroid photograph, her fifth that day, showing the presidential limousine with the grassy knoll area in the background. Moorman's photograph captured the fatal headshot that killed President Kennedy.
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