Search results
Results from the WOW.Com Content Network
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
Other notable black persons he photographed are Countee Cullen, a poet and writer who was associated with the Harlem Renaissance; Josephine Baker, a dancer and entertainer who became famous in France and was known for her provocative performances; W. E. B. Du Bois, a sociologist, historian and civil rights activist who was a leading figure in ...
Harlem Circles, created by Bennett, were intended to be a place for writers to gather, share ideas, and spark inspiration. Over a period of eight years, some of the most famous Harlem Renaissance figures, such as Wallace Thurman and Langston Hughes met up in these groups and produced significant works as a result. [22]
The Encyclopedia of the Harlem Renaissance (Facts On File Publishing ISBN 0-8160-4539-9 and ISBN 1-4381-3017-1) by Sandra L. West and Aberjhani, is a 2003 encyclopedia of the lives, events, and culture of the Harlem Renaissance of the 1920s to 1940s. [1] An ebook edition was published through Infobase Publishing in 2010.
The Poetry Foundation wrote that poets in the Harlem Renaissance "explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes." [1] Poets such as Langston Hughes, James Weldon Johnson, and Countee Cullen became well known for their poetry, which was often inspired by jazz. [2]
Melvin Beaunorus Tolson (February 6, 1898 – August 29, 1966) was an American poet, educator, columnist, and politician. As a poet, he was influenced both by Modernism and the language and experiences of African Americans, and he was deeply influenced by his study of the Harlem Renaissance.
The brand collaborated with Harlem's Fashion Row and New York-based designer Samantha Black for three special edition outfits reminiscent of 1920s glamour. Claudie's additional accessory line ...
Melvin B. Tolson wrote in a review of McKay's anthologized poetry that "[d]uring the last world war, Sir Winston Churchill snatched Claude McKay's poem 'If We Must Die', from the closet of the Harlem Renaissance, and paraded it before the House of Commons, as if it were the talismanic uniform of His Majesty's field marshal". [13]