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"Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. [9] It was released in August 1966 as the final track on their album Revolver, although it was the first song recorded for the LP. The song marked a radical departure for the Beatles, as the band fully ...
The first track attempted was Lennon's "Tomorrow Never Knows", [45] the arrangement for which changed considerably between the initial take that day and the subsequent remake. [46] This first version of "Tomorrow Never Knows", along with several other outtakes from the album sessions, [47] was included on the 1996 compilation Anthology 2. [48]
Tomorrow Never Knows was released as an iTunes Store exclusive, in partnership with EMI Records and the Beatles' own Apple Corps, upon the approval of Paul McCartney, Ringo Starr and the Board of Directors representing the estates of John Lennon and George Harrison.
“‘Tomorrow Never Knows’ is musically most original, starting with jungle noises and Eastern-inspired music which merge by montage effect into the sort of electronic noises we associate with ...
Some 450,000 copies of Anthology 1 were sold in its first day of release, the most sales for an album in a single day ever. The band's first drummer Pete Best , replaced by Ringo Starr in 1962 before the Beatles recorded professionally for EMI, received his first substantial Beatles royalties from this album, for the inclusion of early demo ...
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Revolver: Special Edition is an expanded reissue of the 1966 album Revolver by the English rock band the Beatles.It was released on 28 October 2022, [1] and includes a new stereo remix of the album by Giles Martin, with the help of de-mixing technology developed by Peter Jackson's WingNut Films, as well as the original mono mix, session recordings, demos, and an EP including new mixes of the ...
Emerick's first album in this new role was Revolver, starting with the sessions for the song "Tomorrow Never Knows". [4] It was Emerick's suggestion to record John Lennon's vocal through a Leslie speaker on the song, to capture the ethereal sound Lennon wanted, and to close-mic Starr's drums, formerly a prohibited practice at EMI Studios. [5]