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Eisegesis is when a reader imposes their interpretation of the text. Thus exegesis tends to be objective; and eisegesis, highly subjective. Although the terms eisegesis and exegesis are commonly heard in association with Biblical interpretation, both (especially exegesis) are used across literary disciplines.
The sci-film 2BR02B: To Be or Naught to Be is an example of cross-over diegetic music in film, with Schubert's Ave Maria playing over separate shot sequences as non-diegetic music, but then later showing it to come from a gramophone in a hospital waiting room. A similar cross-over occurs in the closing scene of the HBO docudrama "Conspiracy ...
Exegesis (/ ˌ ɛ k s ɪ ˈ dʒ iː s ɪ s / EK-sih-JEE-sis; from the Greek ἐξήγησις, from ἐξηγεῖσθαι, "to lead out") is a critical explanation or interpretation of a text. The term is traditionally applied to the interpretation of Biblical works.
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Jameson's Marxist hermeneutics is outlined in the first chapter of the book, titled "On Interpretation" [49] Jameson re-interprets (and secularizes) the fourfold system (or four levels) of Biblical exegesis (literal; moral; allegorical; anagogical) to relate interpretation to the mode of production, and eventually, history. [50]
Environmental adjustments can make a significant difference too, says Dr. Mercola. Try using a humidifier to “maintain humidity levels between 35-45% in your home.”
The dynamic range of an audio system is a measure of the difference between the smallest and largest amplitude values that can be represented in a medium. Digital and analog differ in both the methods of transfer and storage, as well as the behavior exhibited by the systems due to these methods.
Brazil, “I’m Still Here” Canada, “Universal Language” Czech Republic, “Waves” Denmark, “The Girl with the Needle” France, “Emilia Pérez”