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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Taylor Camp: Living the 60s Dream (2010), nostalgic reflections of 1970s hippies in tree houses in Hawaii. Tripping (1999) The Valley of the Moon (2010) Underground (1976) The U.S. vs. John Lennon (2006) Volem Rien Foutre al Païs [5] (2006, French) The Weather Underground (2002) Within Reach Movie, journey to find sustainable community (2013)
All Night Long (also known as Night People) is a 1962 British neo noir drama film directed by Basil Dearden and starring Patrick McGoohan, Keith Michell, Betsy Blair, Paul Harris, Marti Stevens, and Richard Attenborough. [1]
A Turner Classic Movies expert shares his top picks.
Something Wild is a 1961 American neo noir [3] psychological thriller film directed by Jack Garfein, [4] [5] and starring his then wife Carroll Baker, Ralph Meeker, and Mildred Dunnock. [6] It follows a young New York City college student who, after being brutally raped, is taken in and held captive by a mechanic who witnessed her suicide ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations.
The central character then discusses all of this with The Committee's director for the duration of the movie; this sequence and features most of the music Pink Floyd wrote for the film. At the end of The Committee's weekend retreat the protagonist meets a young woman while checking out and helps carry her bags to her car.
The Naked Kiss is a 1964 American neo-noir [2] [3] melodrama film written and directed by Samuel Fuller and starring Constance Towers, Anthony Eisley, Michael Dante and Virginia Grey. [4] It was Fuller's second film for Allied Artists after his 1963 film Shock Corridor .