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The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
Percy Bysshe Shelley's edits, additions, and emendations in a draft of Frankenstein in darker ink in his handwriting. Bodleian. Oxford. Authors have examined and investigated Percy Bysshe Shelley's scientific knowledge and experimentation, his two Gothic horror novels published in 1810 and 1811, his atheistic worldview, his antipathy to church and state, his 1818 Preface to Frankenstein, and ...
In Mary Shelley's Frankenstein, Victor Frankenstein, driven by his insatiable desire for knowledge and enlightenment, creates a monster using body parts from deceased criminals in an attempt to make the perfect human being, one who is stronger and smarter than all others. Shortly after, Frankenstein regrets his creation and deserts it.
ProQuest Dissertations and Theses (PQDT) is an online database that indexes, abstracts, and provides full-text access to dissertations and theses. The database includes over 2.4 million records and covers 1637 to the present. [1] [2] It is produced by ProQuest and was formerly known as ProQuest Digital Dissertations.
The Original Frankenstein by Mary Wollstonecraft Shelley (with Percy Bysshe Shelley). New York: Vintage Books, 2008, pp. 434-36. Robinson, Charles E. "Percy Bysshe Shelley's Text(s) in Mary Wollstonecraft Shelley's Frankenstein", in The Neglected Shelley edited by Alan M. Weinberg and Timothy Webb. London and New York: Routledge, 2015, pp. 117-136.
By the time of the novel's publication these sequences had been absorbed by the Gothic genre and had become signposts for contemporary readers confirming the work as fiction, or at least of suspect origin. [13] This tradition gains its peak recognition within the Gothic novel in Mary Shelley's most famous work, Frankenstein.
There are claims that during his stay at Castle Frankenstein, he practiced alchemy and anatomy. He was allegedly working with nitroglycerin, which led to the destruction of a tower at the Castle Frankenstein. But this seems to be a modern myth, for it is an anachronism. Nitroglycerin hadn't been discovered in Dippel's time.