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Brandon Grotesque is a sans-serif typeface designed by Hannes von Döhren of HVD Fonts during 2009 and 2010. Spacing and kerning was done by Igino Marini of iKern. The typeface includes Thin, Light, Regular, Medium, Bold and Black weights. Italic versions were also made available for each weight. [1]
The family includes 4 fonts in 2 weights (regular, bold) and 1 width, with complementary italics. Character set support include. OpenType features include case sensitive forms, fractions, ligatures, lining/old style figures, localized forms, ordinals, small caps. Character set supports include Adobe Western 2.
Docklands Light Railway used a bold weight of this typeface in the late 1980s and early 1990s. The poetry publisher Tall Lighthouse also uses Rockwell in all of its books, as well as on its website. [10] American fast food chain Arby's uses Rockwell font in its advertising, most notably in its slogan, “We Have The Meats”.
The fonts remain available for download after Malyshev's 2019 death. CM-super [ 26 ] – a very large extension of Computer Modern, available in a variety of encodings. These fonts were automatically vectorized from Computer Modern or EC font bitmaps and therefore lack the hinting information in the BlueSky fonts.
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Caslon Antique is popular today when an "old-fashioned" or "gothic" look is desired. It was used in the opening credits of the Jacques Rivette film La Belle Noiseuse.It is used by the musical group The Sisters of Mercy and Sepultura on their albums, for the logo of the musical Les Misérables, and for the covers of the books in A Series of Unfortunate Events.
Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.
The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related Bauhaus typefaces.
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