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"De Camptown Races" or "Gwine to Run All Night" (nowadays popularly known as "Camptown Races") is a folk song by American Romantic composer Stephen Foster. It was published in February 1850 by F. D. Benteen and was introduced to the American mainstream by Christy's Minstrels , eventually becoming one of the most popular folk/ Americana tunes of ...
Millets Music Saloon "Once I Loved Thee Mary Dear" 1851: Firth, Pond & Co. William Cullen Crookshank "Onward and Upward!" 1863: Horace Waters: George Cooper "Open Thy Lattice Love" 1844: George Willig: George P. Morris "Our Bright Summer Days Are Gone" or "Our Bright Bright Summer Days Are Gone" 1861: John J. Daly "Our Willie Dear Is Dying ...
The music of Stephen Foster was an early influence on the Australian composer Percy Grainger, who stated that hearing "Camptown Races" sung by his mother was one of his earliest musical recollections. He went on to write a piece entitled "Tribute to Foster", a composition for mixed choir, orchestra, and pitched wine glasses based on the melody ...
Singing the New Nation: How Music Shaped the Confederacy, 1861-1865. Mechanicsburg, Pennsylvania: Stackpole Books. Cockrell, Dale (1997). Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge University Press. Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford University Press.
He initiated the revision of the standard reference work on Stephen Foster music – "Songs and Compositions and Arrangements by Stephen Collins Foster 1826-1864" published in 1933. [7] The new reference work, published with the Smithsonian Institution Press was assisted by the Rodgers and Hammerstein Archive of the New York Public Library at ...
Written in 7 4 time, the piece is an example of Dave Brubeck's exploration of time signatures that were uncommon in jazz music of the era. According to Brubeck, it was written during a single trip from his home to the recording studio and was recorded the same day.
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
The refrain of Stephen Foster's "Camptown Races", for instance, is considerably similar to the spiritual, and the melodies likewise have parallels. [9] By the early 20th century, Stephen Calt writes, "Roll, Jordan, Roll" had influenced the creation of a new genre, blues , though likely through an undocumented secular version of the song.
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