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Like father, like son; Little pitchers have big ears; Little strokes fell great oaks; Little things please little minds; Live and let live; Live for today, for tomorrow never comes; Live to fight another day (This saying comes from an English proverbial rhyme, "He who fights and runs away, may live to fight another day")
We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as "one of the most celebrated examples of jazz poetry". [1] [2] [3]
The speaker of the poem describes the gruesome effects of the gas on the man, and concludes that anyone who sees the reality of war at first hand would not repeat mendacious platitudes such as dulce et decorum est pro patria mori: "How sweet and honourable it is to die for one's country". Owen himself was a soldier who served on the front line ...
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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
In poetry, a dropped line is a line which is broken into two lines, but where the second part is indented to the horizontal position it would have had as an unbroken line. For example, in the poem "The Other Side of the River" by Charles Wright , the first and second lines form a dropped line, as do the fourth and fifth lines: [ 1 ]
An English tradition holds that a single magpie be greeted with a salutation in order to ward off the bad luck it may bring. A greeting might be something like "Good morning, Mr Magpie, how are Mrs Magpie and all the other little magpies?", [7] and a 19th century version recorded in Shropshire is to say "Devil, Devil, I defy thee! Magpie ...
Like the heaven above. This was quoted in Hanson's Our Woman Workers: Biographical Sketches of Women Eminent in the Universalist Church for Literary, Philanthropic and Christian Work (1881) These were the final words of the poem in the original publication, but later versions published anonymously by other authors appended various additions to ...