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Shanti Mantras always end with the sacred syllable om (auṃ) and three utterances of the word "shanti", which means "peace". The reason for the three utterances is regarded to be for the removal of obstacles in the following three realms:
The Pavamana Mantra (pavamāna meaning "being purified, strained", historically a name of Soma), also known as pavamāna abhyāroha (abhyāroha, lit. "ascending", being an Upanishadic technical term for "prayer" [1]) is an ancient Indian mantra introduced in the Bṛhadāraṇyaka Upaniṣad (1.3.28.) [2] [3] [4] The mantra was originally meant to be recited during the introductory praise of ...
The hymns of the Periya Tiruvantati are written in the poetic style called the antati, in which a new verse is linked with the last word of the preceding verse. [8]There are two theories that seek to explain the name of this text, both of which are drawn from hymns within the work.
Thiruvasagam (Tamil: திருவாசகம், romanized: tiruvācakam, lit. 'sacred sayings') is a volume of Tamil hymns composed by the ninth century Shaivite bhakti poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta.
Venkata Kavi, named Venkata Subramanian, was born in Mannaargudi town in Thiruvarur district in the Indian state of Tamil Nadu (about 200 miles from Chennai) as the eldest of five children to the Tamil Smaartha couple of Subbu Kutti Iyer and Venkammaa, according to the family records in the possession of the descendants of his brother Raamachandra Vaathoola's family. [9]
The poems of this collection differ from the earlier works of the Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), which are the oldest surviving Tamil poetry, in that the poems are written in the venpa meter and are relatively short in length. Naladiyar, having sung by 400 poets, is the only anthology in this collection.
The Kamalamba Navavarana Kritis by Shri Muthuswami Dikshitar (1776-1836) are some of the most famous pieces of music in the Carnatic system of Indian classical music.They are treasures which embody not only the technical brilliance of the composer but also offer a peep into the advaitic school of Hindu philosophy and elements of Tantric rituals.
Along with the Tirukkural, it is one of the first books published in Tamil, when it came to print from palm leaf manuscripts for the first time in 1812. [8] There is an old Tamil proverb praising the Nālaṭiyār that says " Nālaṭiyār and the Tirukkural are very good in expressing human thoughts just as the twigs of the banyan and the neem ...